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After 5 Years Without Enya Album, Warner Offers 'A Day Without Rain'

Source: Billboard Magazine (USA) (October 28, 2000)
By: Larry Flick

Enya takes a deep, cleansing breath before she speaks. It's the end of a long, arduous day of preparation for the Nov. 21 release of "A Day Without Rain" (Reprise/Warner Bros.), her first album in five years, and she's admittedly feeling a little anxious.

"Only a small number of people have heard the music at this point," she says, unwinding in a suite in a Dublin hotel. "And no matter how pleased you are with the finished recording, the first few times you share it with anyone are somewhat nerve-racking. The emotional stakes are extremely high when you create a piece of work that is so personal."

The stakes are even higher when you're an artist whose work clearly strikes a chord with your audience, which reaches far beyond the standard artist/fan context. Enya's fans don't merely enjoy her music; they take it to heart. Some even tend to use it as a catalyst for changing their lives.

"The letters I get are truly remarkable," she says, her voice trailing off as she mentally revisits a particularly memorable note. "A man once wrote that I saved his marriage through my music. He and his wife had stopped talking to each other. They'd lost control of their world. They'd forgotten to live a little. He bought [the 1988 set] "Watermark,' and they started to listen to the music. And then they started to talk. Through that conversation, they started to rediscover each other and their relationship."

Enya pauses, as if to fully consume the magnitude of the tale. "It's humbling to be so warmly embraced."

At the same time, though, the artist asserts that she does not consciously strive to have an impact on the lives of her fans. In approaching "A Day Without Rain," for example, she simply set out to compose music that reflected her heart and perspective. By revealing her innermost feelings, Enya believes, "people are then inspired to empathize and interpret their own emotions into the songs. They truly open their hearts."

And that's when those nerves start to seriously kick in -- especially given the fact that Enya's been away from the public eye for quite a while. Although a portion of the five years since 1995's masterful "The Memory Of Trees" was spent assembling and promoting a greatest-hits compilation (1997's "Paint The Sky With Stars"), the artist spent the better part of the past two years ensconced in her Dublin castle, painstakingly crafting the compositions that would eventually evolve into the elegant "A Day Without Rain."

As usual, she collaborated exclusively with producer Nicky Ryan and lyricist Roma Ryan, the pair with which she has created such timeless recordings as 1991's "Shepherd Moons" and 1998's "Watermark," among several others. Collectively, Enya has sold 44 million albums worldwide, according to Reprise. It's a figure that the artist says, "never enters into our consciousness in the studio. It becomes completely irrelevant. For me, each album feels like the first. The process of creation has never changed."

The process for "A Day Without Rain" started with the artist working completely alone. "For a long period, I sit at the piano, and I just let my thoughts and my emotions and my ideas flow freely," she says, noting that the next step is to introduce her instrumental creations to Nicky and Roma Ryan. "I'm quite anxious at this point, because it really is an act of laying your soul bare. The good thing is that there's tremendous trust between the three of us. We are always as gentle with each other as we are honest."

From there, Roma Ryan begins to add lyrics to the material, while Nicky Ryan and Enya start weaving her melodies into full-bodied arrangements. "It can be a gradual process, but the music requires such a pace," says Nicky Ryan. "We never take shortcuts."

Nor do they employ a team of session players or piles of computerized instruments. Every note of "A Day Without Rain" was performed by the three. The result is a richly detailed effort with a degree of warmth that is missing on most contemporary recordings. "The element of live performance in the studio is crucial," Nicky Ryan explains. "You can't get that kind of texture from computers."

While taking such an extended period of time between studio recordings might be commercially dangerous for some acts, Ryan says, "we trust the fans to be loyal. Enya's never been a frequent artist or one who competes with the flavors of the moment. She has always stood firmly on her own ground." And that suits her label just fine.

"Enya is one of those artists who was not created by the record industry; she's an artist in the purest sense of the word," says Howie Klein, president of Reprise. �Her music appeals to people across the spectrum. We're devoted to maintaining her fan base and elevating her to even greater levels of success."

The first phase of promotion for "A Day Without Rain" will be the radio release of "Only Time," which ships to AC programmers on Tuesday (24). On that day, the track will also premiere on "Delilah," a nationally syndicated dedication show that is heard on more than 200 radio stations throughout the U.S.

"This single is more in the vein of a radio song than a lot of her previous releases," Klein says. "It's still Enya with a deep special spiritual appeal. But it also sounds like something that you can easily hear on the radio."

While striving to draw the favorable attention at radio, the label will also appropriately aim to position Enya as a superstar-level artist at retail. Special programs are in the works with Borders Books & Music, Best Buy, Musicland, Trans World Entertainment, Barnes & Noble, and others. To some retailers, "A Day Without Rain" will easily stand apart from the pack in a season rife with teen acts and rock-driven releases.

"This is a perfect time of year for an Enya release," says Mary Collins, manager of a Borders outlet in Newark, N.J. "it's a perfect item for the holiday season. It�s also perfect for adults who are looking for something special and different. There�s not a lot for grown-ups out there � or even coming up. This will serve that audience well."

In terms of marketing, Craig Kostich, senior VP of marketing at Reprise/Warner Bros., says that the Internet will be a crucial element of the label's plans. "It's an excellent way of reaching the largest number of people."

The label has already dedicated a page of its site ( to the artist. Plans are afoot to launch an extensive artist site ( shortly before the release of �A Day Without Rain."

Additionally, Reprise has issued E-cards with 30-seconds snippets of "Only Time" to fans of the artist, as well as a wide variety of Web sites. Among the sites offering sound bites from the project is Promotions with several other sites are in development.

Lifestyle marketing for the album includes tie-ins with the Caf� Music Network and Patio Music, both of which are featuring "Only Time" on samplers.

Enya�s visibility will be supplemented by the circulation of a video for "Only Time," directed by Graham Fink. The label will service the clip to MTV, VH1, and a host of other outlets the week of Oct. 31.

As Reprise fine-tunes its strategy in support of Enya, one element is noticeably absent � touring. To date, the artist has yet to take her music on the road, an idea that Ryan and Enya believe may finally come to fruition.

"It's certainly something that we have certainly been considering quite seriously," Ryan says. "The issue is -- and has always been -- finding an effective and realistic way of mounting the music in a live setting without compromising its integrity."

Among the options being pondered is staging a special one-off concert, or a several shows, that would eventually be aired on TV. "The idea of a live performance is quite exciting to me," Enya says. "I've long wanted to be in the same room as the fans and share my music."

The artist's interest in stepping onstage is in line with the vigor she feels on the completion of an album. "We know when we've reached the end of an album," she says. "After two years, it was time to step out of the studio. It's a lovely feeling to be done. I feel complete and content that I've given 100% to this project. It's time for it to have its life out in the world."

Will fans have to wait another five years for another full-length Enya recording?

"To put music on a timetable is a mistake," she says, taking another deep breath as she concludes her day of work on this project. "If you're fortunate, each day brings a little bit of inspiration. And as you travel around, you pick up ideas that you bring into the studio. How and when those ideas will take shape is not always easy to define. For now, I'm happily anticipating what the world will bring next... and I'm excited to [learn] what it will teach me."

'A Day Without Rain': A Track-By-Track Listing

"A Day Without Rain" is Enya's fourth studio recording (not including soundtracks and greatest-hits compilations) for Reprise. All songs are composed by the artist, with lyrics by Roma Ryan and production by Nicky Ryan.

"A Day Without Rain." A delicate, piano-driven melody distinguishes this elegant instrumental. Enya�s intricate composition unfolds gradually, offering a vivid musical snapshot of the transition from night to day. The track builds to a subtle, soothing conclusion with lovely orchestral strings.

"Wild Child." If "A Day Without Rain" captures the essence of sunrise, then "Wild Child" illustrates the next phase of morning, with its playful, featherlight melody and Enya�s harmonic swirl of "fly away" chants. "Despite the turbulence a day can bring, you can still find moments within it to make your own�to embrace the positive in life," the artist says.

"Only Time." The first single from the site, "Only Time" mediates on the push and pull of relationships. Enya embodies grace and romance as she ponders the intangible elements of love. "Only time will tell how well we have chosen when we have given our love," she says.

"Tempus Vernum." After a suite of warm, often buoyant interludes, Enya guides the listener through dark, stormy terrain with a moody, occasionally startling composition that deftly darts from ominous symphonic sweeps into soft, comforting passages. "Our lives are intertwined with the earth�We should remember how fragile we are, how we are all together in the struggle for life," Enya says.

"Deora Ar Mo Chroi." Translated as "Tears On My Heart," this gentle-yet stirring composition continues the theme of "Tempus Vernum" while guiding the listener from an early context into a more otherworldly, spiritual realm. Enya�s voice takes on an angelic tone within the track�s simple, almost fragile string arrangement.

"Flora's Secret." This is perhaps the most traditional narrative song on the album, as Enya tells the tale of lovers lying in the grass on a romantic afternoon. After the catharsis of "Tempus Vernum" and "Deora Ar Mo Chroi," this waltzlike composition washes over the sense like a cool, refreshing breeze.

"Fallen Embers." Without question, Enya delivers the vocal performance of her career here, singing unadorned by the lush harmonies that are her stylistic signature. Instead, she stands alone in a stark setting of strings and keyboards that brilliantly capture the melancholy tone of a song the artist describes as a reminiscence of a lost love. "It's a celebration of that special time and a lament that it is over," she says.

"Silver Inches." The second of the album's two instrumentals is an all-too-brief composition (cling in at under two minutes) that seems to rejuvenate the mind and spirit after the sadness of "Fallen Embers." With its staccato strings and quietly rumbling rhythms, this interlude captures the essence of emotional renewal.

"Pilgrim." Although Roma Ryan says that Mahatma Gandhi and Nelson Mandela inspired this song�s lyrics, there�s ample room for personal empathy, as the song also examines the road to self-discovery on a fairly broad scale. Enya is an effective earth mother here, striking a sage, nurturing stance within the track�s serene instrumentation.

"One By One." A sweet love song marked by a swaying blend of strings and keyboards, as well as Enya's coy, girlish vocal. The listener can almost detect a smile in her endearing performance.

"Lazy Days." Enya closes the set with a vibrant tune that leaves the listener sated yet curious about her next creative avenue. Although not an actual stylistic departure, the tune stands slightly apart from the rest of the album, thanks to wall-of-sound production that is decidedly Phil Spector-esque. Enya�s voice becomes downright hypnotic as the song fades into a seemingly endless whirl of "da-da-da" chants.

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